12pp and 4pp laminated cover, saddle-stiched and printed digitally. 105 x 150mm. 300 copies. variations on the title-line of Stuart Mills almost last book anyone who thinks can draw a chair imposed on the cover image of his book, recto/verso, of the poet himself sitting in a Mies Van der Rohe in the Museum in Otterlo. |
€6.00 AB | |
Modern Dutch Interiors
Erica Van Horn & Simon Cutts
2014
36pp xerox, with 8 tipped-in samples of corporate envelope interiors in cut window-mounts, with envelope interior endpapers.105 x 150mm, sewn and casebound with cover image embossed inlay. 150 numbered copies. Peter Foolen, the Dutch editor, sent the envelope interiors for this collection, which have a plain-ness and consistent simplicity. They employ reduced repetition, assmmetry, and even at times a formal randomness approaching camouflage. They bring the nineteenth century origin of the printed envelope interior as a means of hiding the contents into our time, and are mostly of banks, water and road-rescue companies, and other governmental institutions. |
€25.00 AB | |
BUS
Erica Van Horn
2014
Living Locally No.29. 20pp 175 x 125mm, sewn with cover wrappers and label over print of current timetable for the Bus Eireann No.7 bus running from Cork to Dublin and vice versa. 200 copies. |
€10.00 W | |
for Bill Roth 1917-2014
Simon Cutts
2014
ink-jet marmalade print with rubber stamped fly. Folded card 140 x 95 mm, citing a stanza from W.B. Yeats' Wild Swans at Coole of the year of Bill's birth |
€2.00 E | |
The Free Music Machine Drawings
Percy Grainger
2014
with an introduction by Wilfrid Mellers 72pp printed digitally in colour, 300 x 225mm, sewn and casebound with cover image embossed inlay.300 numbered copies.ISBN 978-0-906630-50-1 22 drawings by Percy Grainger from 1951 and 1952, for the potential Free Music Machines worked on by himself and Burnett Cross at this time.Contains erratum bookmark of a poem by the composer Howard Skempton explaining the numerous mis-spellings of Wilfrid Mellers name, Mellers' introductory essay Now and Then, and the postscript At Last by the editor of this book, Simon Cutts detailing the precarious history of this project, and its final accomplishment. |
€40.00 CB | |