64pp 4-colour offset 185 x 145mm casebound paper over boards. ISBN 9780906630631.An edition of 250 copies made at the time of the epidemic lockdown in all of Europe, but where life in our valley was much as it usually is, but with no visitors. We have endured almost a year eating our own food, with no abatement. No cafés to visit. No tables to travel to. No take-away. We live in a suspension of the past and of the imagined future, anticipating a time when we can hang up the apron, if only temporarily.

236pp 175 x 125mm offset. 300 copies casebound. ISBN 9780906630648. These versions of Japanese haiku from various writers, translated by the poet, Harry Gilonis were initially sent out as a daily e-mail; initially to a handful of friends, but the number grew and grew. They were not begun with a set plan, nor duration; they went out from 17 September to 24 December; neatly dividing almost exactly into autumn and winter (by Japanese seasonal definitions). Harry Gilonis is a poet, editor, publisher, and critic writing on art, poetry, and music. Since the late 1980s he has written various books of poetry (published by Carcanet Press, among others), and has collaborated with other poets. His writing has been translated into Catalan, Gaelic, German, Polish, and Spanish. In 2018, The Guardian published Gilonis’ piece ‘a small alba’ as its Poem of the Week.

A Short Essay on Ephemera was written for the book ‘Some Forms of Availability’, 2007 as a descriptive text dealing specifically with Coracle Ephemera, and as a critical and practical riposte to Steven Leiber’s ‘Extra Art: A Survey of Artists’ Ephemera’, 2001. It was first made in the form of a parallel spiral for a cardboard drinks mat in 2011, and later as a ceramic plate in 2015. Here it is printed on glass, with no particular function. Disc 62mm diam. Folio 17 x 39 cm. 20 numbered copies

a history of the rehearsed dash made by the pianist and composer Percy Grainger, to arrive at the entry of the pianoforte in the second movement, the Adagio, of Grieg's Piano Concerto. 20pp 18.5 x 13.5 cm, casebound, with embossed cover image and coloured endpapers of the score and Grainger's footsteps to his entry, and three tipped-in images.

a collaboration surrounding Maud Cotter's altered hotwater bottle sculptures, referring in turn to the dynamic of Boccioni's work of the same title. 36pp 17.5 x 15 cm, casebound picnic paper over boards, with embossed cover image, and seven tipped-in images of the series, and a facsimile of the 20 cent euro coin holding an image of the futurist piece.